A beautiful legacy

Hello, bloggers...

 

Matt has asked me to pass along the entirety of this moving correspondence from one of our readers.


Best wishes,
Richard
Blog editor

 
(pictured above:  Elaine Gloodt)

Dear Mr. Lamb,

I love your boldness at speaking your mind and sharing your thoughts. My late mother... Elaine Gloodt -- some of whose work can be seen at:

www.gloodtworks.com --

...would have gained much to be reading your power packed statements as she was an artist who had talent but was always "intimidated" by the critics -- the critics being anyone who had a different perspective about her work.

Yet, she did forge forward and did what all artists inevitably must do to be whole - create to expose that which is within.

Thank you,
J. Carey

Dear J.,

Thank you for writing in.

Your mother is one of the millions of artists who spend untold hours creating the world that they perceive in their imagination and experience, interpreted through their artwork.  If all of this work were assembled over time, I believe we would have the complete history of the world as it really is, and not as it is written by those who would advance political, social, economic, or religious agendas.  The artist manifests the subconscious reality of a being human in a particular time and space, culture and geographic area.

With all the computers we have available in this age, I’m sure that the great technological minds of the world could come out with a complete profile of every generation that has ever lived.  Where the average artist becomes timid is by believing that their art is not important, or that someone else can define what they think, work, do, play, and paint about.

Worthwhile art has nothing to do with some ass standing in front of your work and telling you you shouldn’t be doing this, you should be doing that.  It would be like going into a restaurant and telling people what to eat.  The maitre’d would kick you out, and there you’d be, sitting on the street, some asshole completely enamored with your own culinary expertise.

Who gives a damn what “they” say?  If they have enough money, they could hire somebody to come into their house 8 hours a day and say, “Oh yes, great wizard, tell me more so I can scribe it in the sky!”  You don’t need that.

I’m not putting down critics who are capable of great writing and appraisal and appreciation of art.  What I’m talking about is Mr. Don’t Know Nothin’ About Nothin’ telling you what you should be doing in your artwork.  I’m sure if you went to their garbage route or their accounting office and told them how to pick up garbage or how to line up numbers, they wouldn’t change their ways because some stumble-bum artist came in and told them to.  Your art is your thing.  It’s your dog...  If it barks, they can move.

Thank you for your comment, which we can all learn from, and thank you for sharing the story of your mother, Elaine, who you must be very, very proud of.  She left behind a great legacy of art and thoughts for all of us to ponder.

Matt

Comments (5) -

October 20. 2008 23:22

Dear Matt,As an artist myself, but utilizing the medium of writing, I appreciated your comments on the critic.  It feels more and more as though we live in a society of critics, who as you said so eloquently can be viewed as "Mr. Don’t Know Nothin’ About Nothin’".  As much as I love my country, Americans are more concerned with Hollywood and their cul-de-sac than they are with artists.The most difficult thing about being an artist, whether you're a painter or sculptor or writer or architect, is that your work reflects a part of your soul and when you release your creation into the world, everyone is a critic.  My professors are the critic, my fellow students are the critic, and even our friends are our critics (and I might add my best friends will read something and tear it apart, but it makes me a better writer).  As much as it stings to hear someone didn't like what I've written, I always consider the source.   One of my mentors is a professor and working author with an MFA from Columbia whom I hold in high regard.  After taking two classes with him I started to notice I wasn't writing for me, I was writing for him.  He noticed my writing was weaker and he counseled me.  This was in 2005 when I learned that Hunter S. Thompson had ended his own life.Being a huge admirer of the good Doctor's Gonzo journalism, I decided to buy myself a pair of Ray Ban aviators and go Gonzo that semester channeling my id vs. my superego.  It worked.  I did some of my best writing that semester and it was dually noted by my professor and my fellow classmates.As artists, we are subject to criticism and we should be because we are doing one of the most important jobs in the whole world: documenting the human condition.  I'd rather hear a bark than a yelp because that means I've accomplished something: my work was read and it yielded a response.  For better or worse.  On a final note, I have a question for you.You are a prolific artist and might I add brilliant artist who has been working for more than two decades.  You obviously have this whole critic thing figured out.  Have you ever had a friend or mentor or another artist (dead or alive) whom you admire and has pushed your work to a whole new level?  If so, who was it and how did it shape your work?Thank you for taking the time to read this and thank you for being a role model for artists of all mediums.Very truly yours,Claire Henry

Claire Henry

October 20. 2008 23:51

What a beautiful post.  Thank you for those words of wisdom.

Lamb fan

October 21. 2008 00:34

I admire your efforts in sending your message of Hope, Peace, and Love throughout the world! Since you are based in Chicago and so is "The Oprah Show," it seems as though your Umbrellas for Peace Project would be a wonderful topic for one of her shows.  Have your people contacted her people about the possibility?  

Lamb fan

October 23. 2008 08:06

Dear Matt,What do YOU do, Mr. Lamb, when you seek inspiration?  Is it always there?  Are you constantly conjuring alchemical concoctions that writhe within your mind until they can escape onto the canvas?  Or do you see your creative cycles in an ebb and flow like the seasons and the tides?   I love your attitude of just going for it, doing what you have to do despite what the critics or the curators say. It's your dog and yes, if the dog barks, people can move.  It seems that is the way of art, and the creative process.  These days, I wonder when my art dog is going to bark. As a visual artist with the blessing and the curse of a chronic wanderlust, I feel compelled to GO and SEE, soaking up people and places and experiences, and when the time is right, to pour out in creative catharsis.  As a feverish producer of diverse 'stylistic schizophrenic' works of art shifting bi-polar from abstract to representative reality, I like to think that creativity comes in waves, cyclic time signatures of age and experience.  But in the last 6 months I have been going going going with a backpack across Canada, the U.S., Alaska, and Hawaii, producing close to nothing but sketches and whimsical scribbles.  Friends and family are always asking: "What are you painting? Are you keeping up with your drawing?" To many of them, especially grandma, I feel a weight attached to their questions, as if the fact that I am still producing gives them hope, or, reassurance that my travels are not for nothing.  But I am unsure.  My fingertips do not burn as they have, the itch to throw paint across a stage is simply not there.  I wonder daily when my next great series will begin to grow and sprout.  But inspiration eludes me.  Will I delve deeper into spiritual-visionary abstraction or explore realism in a bid to appeal to the masses?  Or will I find some new unexplored outlet?Or never paint again?  Matt, where do you find your inspiration?Cheers.Aaron    

Aaron H. H. Trotter

October 30. 2008 03:24

Being an artist has to be one of the most difficult things in the world. You labor day in and day out to create something wonderful, something amazing - something that you know few people will get to experience. Yet you keep on doing it because it's good for your soul. It's like music - very few people get rich on music, and in fact musicians take semi-poverty as part of the territory - but there's so much more to being a musician than the money. You can't really put a price on happiness of spirit. But you have to love what you're doing - REALLY love it - to get to that point.Matt, have you ever had moments of doubt when you wished you had done something else? Any like "artist's block"? And when you do, what do you do to move past that point?

Bill

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